FREE WILL — Shot List

Cassandra Jewel · 2:48 · 16:9 · Two scenes, 40 setups · Capture plan: minimal props, no effects on the day. She holds her mark — the camera moves. Timecodes = where the shot lands in the edit.
Setups shot
0 / 40
Tick each setup as you get it — signed-in crew ticks sync LIVE to the Kosmos project (every device sees the same list; offline it still saves on this device). 🎨 Scene 2 · Board A (L-A) now shows an ALT look cutout (gold ALT badge) beside each frame — tap it for the over-the-top-dramatic alternate board. 🎬 Scene 2 · Board B (L-B) is re-blocked into the real bedroom in two versions — so each L-B beat now shows three boards side by side (couch primary · bedroom Tripod · bedroom Handheld), each with its own capture box. Tick every board you actually get. Boards live in Cassy Vid\Boards\; look references in \Look Dev\. Rules: one prop (the book), optional loose photos; she only sings to lens in L-A7/8 and the eye close-up V-B4; V-B9 is the clean arms-spread plate for wings in post.

SCENE 1 · THE VOID

LOOK Extremely dark · cold blue-teal · backlit / silhouetted · heavy haze · crushed blacks · one hard top-beam. She holds ONE mark at the beam center — kneel → stand on the same spot. Camera does all the moving. No effects on the day — V-B9 is shot clean as the plate for wings in post.
PROPS ONE prop: a worn book/Bible. No ropes, no tape, no sword, no candles — the 'held' feeling is acted through posture and light.
BOARD A — HELD (song 0:26–1:27)
V-A1 0:26 Wide, locked, backlit Kneeling small at beam center, head bowed, wrists crossed in her lap — Establishing — match this look
V-A2 0:30 50mm slow push Wrists pressed together as if held; head bowed — Restraint is acted, not propped
V-A3 0:34 Handheld medium Strains upward in place, shoulders torquing, hair whipping — Motion blur on hair
V-A4 0:38 35mm low, slow orbit Reaching up toward the light — Camera circles her
V-A5 1:15 85mm close A single tear catches the cold rim — Face mostly shadow
V-A6 1:17 50mm, hands Clasped hands break apart, fingers spread — open-mouth breath — The release, acted
V-A7 1:19 Wide She lifts the book from the floor into the beam, to her chest — Only prop in the scene
V-A8 1:22 85mm up-angle Face tilted up into the light, eyes closed — Eye close-up candidate
V-A9 1:25 High wide drift Tiny in the void, book held close, haze rolling — Floor reflections
V-A10 1:27 Overhead insert Hands resting on the closed book in her lap — Leads into Board B
BOARD B — RISEN (song 1:27–2:48)
V-B1 1:27 Overhead Kneeling, the book open across her palms — Only prop in the scene
V-B2 1:30 100mm macro Fingertips resting on the open page — Shallow focus
V-B3 1:34 50mm She closes the book, holds it to her chest, head bows — Quiet beat
V-B4 1:38 100mm ECU Eyes into the lens — one slow blink (the drop) — Designated eye shot
V-B5 1:52 85mm insert Fists unclench, fingers spread open in the beam — Letting go, acted
V-B6 1:58 50mm She rises from kneel to stand on the same mark — One continuous move
V-B7 2:12 Crane-down wide Standing in the beam, face lifted, book at her chest — Prayer, standing
V-B8 2:23 Low angle Chest lifted, deep breath, face to the light — Silhouette against beam
V-B9 2:30 85mm push ARMS SPREAD WIDE, backlit — sings full-force to lens — PLATE FOR WINGS IN POST
V-B10 2:40 Wide pull-back Camera retreats until haze and light swallow the frame — Ending — dissolve to white

SCENE 2 · THE LIVING SPACE

LOOK Over-the-top dramatic · warm gold · extreme contrast · heavy bloom · red-drape accent when the studio allows · thick haze. She anchors on the couch — no crossing the room; camera does all the moving. Frames late in Board B: light goes cold and stripped; key killed on cue for the ending.
PROPS Couch + the book/Bible. Optional: a few loose photographs if available. No mic (she sings direct to lens), no boxes, no rig.
BOARD A — REAL LIFE (song 0:04–0:50)
L-A1 0:04 Wide, locked Sleepless stillness — reclined on the couch in window bloom — Establishing — match this look
L-A2 0:10 50mm medium Reclined, staring off, hollow — rim on her hair — Half face in shadow
L-A3 0:18 85mm insert The book on her lap, thumb on the cover — Bloom behind hands
L-A4 0:23 Slow orbit Camera circles her seated figure in the bloom — She stays put — camera moves
L-A5 0:41 50mm She sits up out of the recline, gathering herself — Dust in the beam
L-A6 0:43 Medium Leaning forward, elbows on knees, eyes rising to camera — Warm key from window
L-A7 0:45 50mm static SINGS DIRECT TO LENS — no mic, first lens contact — Only sings to lens here + V-B4
L-A8 0:47 85mm close Full-voice to lens, jaw set, rim burning her hair — Bloom highlight
L-A9 0:49 85mm Pulls off the line — breath, eyes drop — Release
L-A10 0:50 Macro Hands folded over the closed book on her knee — Leads into Board B
BOARD B — THE PAST (song 0:50–2:48)
L-B1 0:50 Slow orbit Seated, head-nod on the beat, mouthing the verse — In the pocket
L-B2 0:55 Handheld push Seated, leaning into the beat, hand slicing the air — She stays seated
L-B3 1:00 85mm insert A loose photo in her hand, bloom flaring behind it — OPTIONAL — if photos available
L-B4 1:06 50mm Turns the photo face-down on the cushion beside her — Skip if no photos
L-B5 1:12 Push-in Her palm presses flat on the closed book — Beat hit
L-B6 2:01 Wide (mirrors A1) Light cold and stripped — she sits alone, book in lap — Cold, bare light
L-B7 2:05 50mm over-shoulder Sets the book down on the cushion beside her, in the beam — Dust in beam
L-B8 2:08 85mm Slides to kneel at the couch — prayer, forehead to knuckles — Quietest beat
L-B9 2:23 50mm static From her spot: one last slow look around, soft last line — Sings the last line here
L-B10 2:44 Wide pull-back Window light dies to darkness as the camera drifts away — Kill the key on cue — cut to black